I have attempted to emulate Daly in my own watercolours many times, but the specifics of his style and technique remains a mystery to me (him being a modern day watercolour master and all). It was while pondering his style that I began to speculate about his palette and the paints he used, something I have pondered many times before. Suddenly, I decided I wanted to understand his palette, and being a paint pigment nerd I made a list of Daly's paints, researched the colours and then laid them out on a colour wheel, in the fashion of the handprint artist palettes.
Daly's traditional paint choices form a somewhat subdued split primary palette.While I couldn't quite find an artist whose palette is as constrained, Michael Rocco comes closest, with both choosing 16 paints developed around the "primary" triad footprint.
Since the reliance on mixing comes from Daly's palette, I decided to order a few tubes of his essentials to complement my existing paints, and start mixing to see how broad the mixing capabilities of his paints were. Daly uses only Winsor and Newton. Daly's palette, as per his 1985 book is as follows:
- Cadmium Yellow, Cadmium Orange, Cadmium Red Deep
- Alizarin Crimson, Burnt Sienna, Light Red
- French Ultramarine, Cerulean Blue, Prussian Blue
- Davy's Gray, Payne's Gray
- Olive Green
- Warm Sepia, Ivory Black
I substituted M Graham for Winsor and Newton's Cadmium Yellow, Cadmium Orange, and Cadmium Red. Alizarin Crimson, French Ultramarine, Ivory Black, and Prussian Blue were also substituted for their M Graham equivalents - all paints being matched pigment for pigment - ditto for Holbein's Cerulean Blue. Next, I ordered Winsor and Newton's Davy's Gray, Payne's Gray, Burnt Sienna, Light Red, and Olive Green. Winsor and Newton's Olive Green (PY42,PG7) surprised me - it is a lovely paint, and I had nothing like it in my collection of 230+ tubes. I have included Alizarin Crimson, PR83, a fugitive pigment. I don't sell my work and this is not my everyday palette, so I'll enjoy Alizarin Crimson for what it is.
I have put my paints in my Craig Young paintbox:
|The Paintbox, 16 full pans.|
hi there...could u tell me more about davy's gray and how u use it?ReplyDelete
Davy's Gray is interesting, it's a greenish-gray and I don't have anything else like it. It is lovely as a foliage colour. Also useful for toning down stronger greens and making new subtle greens with your yellow paints. It's not essential, but useful for landscapes and floral/botanical work.Delete